Haynes, John and James Knowlson. Images of Beckett.
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Gontarski, S. Edinburgh: Edinburgh University Press, The Beckett Country. Credit requirements include active in-class participation, a min in-class presentation and a final essay min. Students wishing to be awarded an exam grade in the course are required to submit, in addition to the above, a graded research paper min. Essay topics must be consulted with the instructor in advance. Deadline for essays: 3 June Irish language teaching is funded from a grant awarded by the Department of Culture, Heritage and the Gaeltacht, Ireland.
Our special thanks are due to the Embassy of Ireland to the Czech Republic for their unrelenting encouragement and support. Level elective optional. Credit value MA, Z. Jones eup. Houston eup.
Edinburgh Critical Studies in War and Culture Series Editors: Kate McLoughlin and Gill Plain The monographs in this series analyse the cultural meditation of war - its causes, consequences and aftermath - through Anglophone literature and film from the age of industrialised warfare to the present. Wartime British writers took to the airwaves to reshape the nation and the Empire Writing the Radio War positions the Second World War as a critical moment in the history of cultural mediation in Britain.
Through chapters focusing on the middlebrow radicalism of J. Priestley, ground-breaking works by Louis MacNeice and James Hanley at the BBC Features Department, frontline reporting by Denis Johnston and the emergence of a West Indian literary identity in the broadcasts of Una Marson, Writing the Radio War explores how these writers capitalised on the particularities of the sonic medium to communicate their visions of wartime and postwar Britain and its empire.
Celebrating Elizabeth Bishop as an international writer with allegiances to various countries and national traditions, this collection of essays explores how Bishop moves between literal geographies like Nova Scotia, New England, Key West and Brazil and more philosophical categories like home and elsewhere, human and animal, insider and outsider. May pages Also available in ebook Edinburgh Companions to Literature and the Humanities. Challenges conventional views of the Edwardian period as either a hangover of Victorianism or a bystander to literary modernism In this study, Jonathan Wild investigates the literary history of the Edwardian decade.
This period, long overlooked by critics, is revealed as a vibrant cultural era whose writers were determined to break away from the stifling influence of preceding Victorianism. A bold new study of photographic and literary depictions of London in the s London Writing in the s offers a new perspective on the decade that has long been associated with the Auden generation and the rise of documentary. Sign-up at: edinburghuniversitypress. A collection of essays on Dylan Thomas, reading culture and his place in modernist studies In thinking beyond the parameters of life writing and lingering interpretative communities, Reading Dylan Thomas attends in detail to the problems and pleasures of deciphering Thomas in the 21st century, teasing out his debts and effects, tracing his influence on later artists and suggesting ways to understand his own idiosyncratic reading practices.
Defines the field of Rural Modernity through analysis of British literature, art and culture This book argues that the rural areas of Britain were impacted by modernisation just as much than urban and suburban areas. It focuses on rural people and places that experienced economic depression, the expansion of transportation and communication networks, the roll out of electricity, the loss of land and the erosion of local identities.
Explores the depiction of transgender identity in the 20th century This study revisits 20th century narratives and their afterlives, examining the extent to which they have reflected, shaped or transformed changing understandings of gender. Explores the trailblazing work of the British literary avant-garde of the s Exploring the experiments in language, structure, genre and subject matter of writers from Ann Quin and Christine Brooke-Rose, to B. Essays from leading scholars and poets exploring the poetry archive and archival poetics What do the archives of modern and contemporary poets offer for the scholarship of contemporary poetry and the contemporary poet?
How can these spaces, both material and intellectual, be understood as places of both reflection and creation? In this collection of essays from leading scholars and poets, the potential of the archive as a subject of enquiry, source of scholarly material and spur to the creation of new works of literature is explored.
Volume coverage extends from the 17th century to the 21st century. Essays on women, periodicals and print culture in Victorian Britain The period covered in this volume witnessed the proliferation of print culture and the greater availability of periodicals for an increasingly diverse audience of women readers. New critical perspectives on the English-language short story by established scholars and new voices Showcases a wide range of critical approaches and perspectives, including Book History, genre criticism, postcolonial theory, queer studies, feminist criticism, war writing, disability studies, Creative Writing, and ecocriticism.
This collection explores the history and development of the anglophone short story since the beginning of the 19th century. Ranging across texts from different parts of the English-speaking world, it studies the form in its many guises and venues of publication. Why have writers of so many nationalities and dispositions found the short story amenable to experimentation and discovery? This collection explores these and other questions, addressing stories from around the world and considering their relationship to place, identity, history and genre.
December pages Also available in ebook Series: Edinburgh Companions to Literature and the Humanities. It includes 17 provocative, argument-driven essays contributed by an interdisciplinary group of scholars. The collection reflects and responds to a growing interest in nonsense literature within the academy and aims further to establish nonsense as a developing and significant field of research.
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- Samuel Beckett (1906–1989);
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Consciously places refugee identity and movement — rather than nation-states — at the centre of modernity. Serves as a tool to navigate a rapidly changing field and to open up imaginative, conceptual and practical spaces for future work.
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The core interest in this volume is refugee imaginaries. These are conceived both as ways in which refugees interact in various social spheres including media platforms; ceremonial, practices; legal judgments; activism; and acts of home-making and as artistic imaginaries literary, theatrical and cinematic work by and about refugees. Together, these sections offer an alternative conception of a field that is more commonly defined in terms of national and geopolitical spaces. Its remit is not only the phenomenon of translation in itself, but the impact of translation too.
It also draws on the increasingly lively fields of reception studies and cultural history. Volumes will focus on Anglophone literary traditions in their foreign relations. Captivating his readers with his vibrant, lyrical prose, he transformed understandings of the earth and space by rethinking nature as the interconnection of global forces.
The Frontiers of Theory Series Editor: Martin McQuillan This series brings together internationally respected figures to comment on and re-describe the state of theory in the 21st century. It takes stock of an ever-expanding field of knowledge and opens up possible new modes of inquiry within it, identifying new theoretical pathways, innovative thinking and productive motifs. Is it help dying that she wants?
Perhaps never has the agony of letting go of the loved one been so unflinchlingly rendered.
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New and cutting-edge work in animal and animality studies, focused on 20th century literary and filmic texts in English Representations of animality continue to proliferate in various kinds of literary and cultural texts. This pioneering volume explores the critical interface between animal and animality studies, marking out the terrain in relation to 20th century literature and film.
Offers a new understanding of empathy and its relation to medicine and literature, as a critical intervention into the medical humanities This book marks a critical intervention in the medical humanities that takes issue with its understanding of empathy as something that one has. Drawing on phenomenology and feminist affect theory, it positions empathy as something that one does and that is embedded within structural, institutional and cultural relations of power.
S. E. Gontarski, Ed.: The Edinburgh Companion to Samuel Beckett and the Arts
More than this, it questions the assumption that empathy is limited to the clinical relation, thinking about medicine as more broadly defined. Maps out the process of fictioning as a new field of study for art and philosophy Fictioning in art is an open-ended, experimental practice that involves performing, diagramming or assembling to create or anticipate that which does not exist. These relate to three specific modes of fictioning: performance fictioning, science fictioning and machine fictioning. Through fictioning, they look forward to the new kinds of human, parthuman and non-human bodies and societies to come.
MacNeil With a global reach, this innovative series critically reimagines, through the most advanced conceptual frameworks and interpretive methods of contemporary theory available in the humanities and jurisprudence, the interdisciplinary relationship between legal and literary or other aesthetic texts. A unique application of philosophical hermeneutics, literary theory and narratology to the practice of judging Combining her expertise in legal theory and her judicial practice in criminal law in a Court of Appeal, Jeanne Gaakeer explores the intertwinement of legal theory and practice to develop a humanities-inspired methodology for both the academic interdisciplinary study of law and literature and for legal practice.
Drawing extensively on philosophical and legal scholarship and through analysis of literary works from Gustave Flaubert, Ian McEwan and Juli Zeh, Jeanna Gaakeer proposes a perspective on law as part of the humanities that will inspire legal professionals, scholars and advanced students of law alike. This series makes the writings of major anti-colonial intellectuals available for new audiences. Leading scholars introduce a wide variety of anti-colonial writings and demonstrate their relevance today.
Collects more than 60 foundational documents from student protest from the frontlines of revolution Bridging a half-century of student protest from to , this source reader contains more than sixty texts from Guatemala, Nicaragua, Honduras, El Salvador and Costa Rica, including editorials, speeches, manifestos, letters and pamphlets. Available for the first time in English, these rich texts help scholars and popular audiences alike to rethink their preconceptions of student protest and revolution.
The books relate key literary and cultural texts both to their historical and geographical contexts and to contemporary issues of neo-colonialism and global inequality.
Find out more: edinburghuniversitypress. Frederick Douglass and Family in the Walter O. Previously unseen speeches, letters, autobiographies and photographs of Frederick Douglass and his sons, Lewis Henry, Frederick Jr. This book provides readers with a collective biography mapping the activism, authorship and artistry of Douglass and his sons, Lewis Henry, Frederick Jr.
In one volume, the history of the Douglass family appears alongside full colour facsimile reproductions of their over 80 previously unpublished speeches, letters, autobiographies and photographs held in the Walter O. Evans Collection. All of life can be found within these pages: romance, hope, despair, love, life, death, war, protest, politics, art and friendship.
The Foreword is written by Robert S. Levine and the Afterword by Kim F. Focusses on the intersections between text and photography in the 20th century American photo-text This critical study of the American photo-text focuses on the interaction between text and images in 20th century American photography as well as the discourse surrounding image-text collaboration on a wider level.
The editors invite submissions that situate print culture within interconnected Atlantic histories, whether linked by economies, ideas, institutions, laws, struggles, revolutions, diasporas or migrations. Its interdisciplinary methodology draws on antebellum visual culture, tourist practices and shifting class and gender identities to describe tourism and tourist writing as shapers of an elite and then normative national subjectivity.
Michelle Coghlan, University of Manchester. Remaps the borders of transatlantic feeling and resituates the role of international memory in US culture in the long 19th century and beyond In refocusing attention on the Paris Commune as a key event in American political and cultural memory, Sensational Internationalism radically changes our understanding of the relationship between France and the United States in the long 19th century. Modern American Literature and the New Twentieth Century Series Editors: Martin Halliwell and Mark Whalan This series seeks to critically question boundaries and concepts that have come to define the production, reception and appropriation of modern American literature.
Its focus on technique looks both inwards to the craft and form of writing and outwards to interdisciplinary approaches to literary production within a matrix of cultural practices. Scott Fitzgerald is remembered primarily as a novelist, but he wrote nearly two hundred short stories for popular magazines such as the widely-read Saturday Evening Post. First book-length ecocritical study of Cold War American literature Compelling analyses of the function and representation of Nature in a wide range of Cold War fiction and poetry by authors including Paul Bowles, J.
Salinger, Jack Kerouac, Allen Ginsberg and Mary McCarthy reveals the prevalence of portrayals of Nature as an infinite, interdependent system in American literature written between and The book examines how Acker puts the historical context of revolutions such as the Paris Commune, Algerian War, the Haitian Revolution, the Russian Revolutions of and , May in France, the legacy of American radicalism and insurgencies against totalitarian Stalinist regimes in Eastern Europe, along with the avantgardes that accompanied them, to work within her radical political agenda.
Combining new formalism in literary criticism with scholarship in American Studies, this book gives a name and theory to the genre that has fostered the aesthetics of fragmentation, as well as recurrence, that characterise fiction today.
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